考研的考生们请注意，新鲜出炉的24考研真题供大家参考，相信各位考生都在坚持做题和模拟考试，检测自己的知识掌握情况以及巩固常出现的知识，今天给大家分享的是2024考研英语一真题答案及解析:阅读三，祝福所有的考生一战成硕。

2024考研英语一真题答案及解析:阅读三

Section Ⅱ Reading Comprehension

Part A

Text 3

31. learned about Rutkowski form Paragraph 1-2

A. He is enthusiastic about using AI models.

B. He is popular with users of an AI art generator.

C. He atiracts admiration from other illustractors.

D. He specializes in classical painting digitalization.

【31】B. He is popular with users of an AI art generator. 解析：该题为细节题，根据Rutkowski，Paragraph 1-2定位到第一段和第二段，第二段讲到Rutkowski创造了很多作品，最后一句讲到：他在文本到图像人工智能生成的新世界中突然走红。(And he’s become a sudden hit in the new world of text-to-image AI generation.)，故此说明他很受AI艺术生成器用户的欢迎。

32. The problem with open·source-AI art generators is that they

A. lock flexibility in responding to prompts.

B. produce artworks in unpredictable styles.

C. Make unauthorized use of online images.

D. Correct user information without consent.

【32】C. Make unauthorized use of online images. 解析：该题为细节题，根据open source-AI art generators定位到第三段，第三段没有说明开源AI艺术生成器的问题，所以继续往下定位到第五段，第一句提到：但这些开源程序是通过从互联网上抓取图像来构建的，通常没有得到艺术家的许可和适当的归属。(But these open-source programs are built by scraping images from the internet, often without permission and proper attribution to artists.)，即未经授权使用网上的图片。

33. After searching online, Rutkowski found

A. a unique way to reach audiences.

B. a new method to identify AI images.

C. AI-generated work bearing his name.

D. heated disputes regarding his copyright.

【33】C. AI-generated work bearing his name. 解析：该题为细节题，根据题文同序的原则和searching定位到第七段，第二句提到：然后，他(Rutkowski)试着搜索自己的名字，看看自己创作的一篇文章是否已经发表。网上搜索找到了附有他的名字但不是他的作品。(Then he tried searching for his name to see if a piece he had worked on had been published. The online search brought back work that had his name attached to it but wasn’t his. )，故此选择C：以他的名字命名的人工智能作品。

34. According to Ortiz AI companies are advised to .

A. compaign for new policies or regulation.

B. offer their services to public institutions.

C. Strengthen their relationships with AI users.

D. Adopt a different strategy for AI model training.

【34】C. Strengthen their relationships with AI users. 解析：该题为细节题，根据Ortiz定位到Ortiz的观点，他认为：“艺术家行业正在形成一个联盟，寻找解决或缓解这一问题的方法。该组织正处于动员的初期，可能涉及推动新的政策或法规。(The group is in its early days of mobilization, which could involve pushing for new policies or regulation. )。其中还未提及对于公司的建议，所以继续看下一段，下一段提到：Ortiz说，其中一个建议是，人工智能模型可以在公共领域的图像上进行训练，人工智能公司可以与博物馆和艺术家建立合作关系。(One suggestion is that AI models could be trained on images in the public domain, and AI companies could forge partnerships with museums and artists, Ortiz says. )。结合这两段的内容我们发现：Ortiz想要推动新的政策或者法规，在对AI公司建议上的体现为与博物馆和艺术家建立合作关系。博物馆和艺术家都可以视作AI公司的用户。因此建议AI公司加强与用户的关系。

35. mainly about .

A. Artists responses to AI art generation.

B. AI’s expended role in artistic creation.

C. Privacy issues in the application of AI.

D. Opposing views on AI development

【35】A. Artists responses to AI art generation. 解析：该题为主旨题。文章开头由Rutkowski引出话题艺术家已经人工智能艺术生成器。从第五段开始提及人工智能艺术生成器所存在的问题。最后一段中作者引用Ortiz的话进行了总结：“不仅仅是艺术家……摄影师、模特、男女演员、导演、摄影师都有。”“任何一种视觉专业人士现在都必须处理这个特殊的问题。”(“It’s not just artists … It’s photographers, models, actors and actresses, directors, cinematographers,” she says. “Any sort of visual professional is having to deal with this particular question right now.” )。虽然提到了不仅仅是艺术家，但是最后一段之前主要就艺术家和人工智能的关系进行探讨，故此选A。

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